exhibitions
wystawy
SOLO:
2022 ZPAP, 28.I-20.II, Toruń
2021 Pro Arte Gallery, 9-23.VII, Zielona Góra
2020 ODK Pod Lipami, Poznań
2020 ZPAP, 7-26.VII, Gdańsk
2014 Intermedia Gallery, UAP Poznań
GROUP:
2023 Comfort Culture, 9–21.I, Il Leone Art Gallery, Rome
2022 Visions (Anima Mundi), Palazzo Albrizzi-Capello, 17.VI-6.VII, Venezia
2021 First International Festival of Manuports, 12.VIII-10.10.2021, KOHTA, Helsinki
2021 Ogólnopolskie Biennale Sztuki, 13-24.VI.2021, MCSW Elektrownia, Radom
2018 Graphic Arts Studio exhibition, CK Zamek, Poznań
2017 R-Lab in Mindepartamentet, KKH, Sztokholm
2014 UAP Faculty of Painting exhibition, Galeria Arsenał, Poznań
2014 Fama Festival, Świnoujście
2022 ZPAP, 28.I-20.II, Toruń
2021 Pro Arte Gallery, 9-23.VII, Zielona Góra
2020 ODK Pod Lipami, Poznań
2020 ZPAP, 7-26.VII, Gdańsk
2014 Intermedia Gallery, UAP Poznań
GROUP:
2023 Comfort Culture, 9–21.I, Il Leone Art Gallery, Rome
2022 Visions (Anima Mundi), Palazzo Albrizzi-Capello, 17.VI-6.VII, Venezia
2021 First International Festival of Manuports, 12.VIII-10.10.2021, KOHTA, Helsinki
2021 Ogólnopolskie Biennale Sztuki, 13-24.VI.2021, MCSW Elektrownia, Radom
2018 Graphic Arts Studio exhibition, CK Zamek, Poznań
2017 R-Lab in Mindepartamentet, KKH, Sztokholm
2014 UAP Faculty of Painting exhibition, Galeria Arsenał, Poznań
2014 Fama Festival, Świnoujście
"Turbulence”
7 – 26 July 2020 ulica Piwna 67/68 80-831 Gdańsk |
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Anima Mundi (23rd.04-27th.11.2022) Art Fair
Concept (excerpt): (...)Anima Mundi, which according to several historical cultures, religions, and philosophical systems, is an intrinsic connection between all living entities on the planet, which relates to the world in a similar way as the human soul is connected to the human body. Plato expressed his thought about the anima mundi in the Timaeus, "this world is indeed a living being endowed with a soul and intelligence...a single visible living entity containing all other living entities, which by their nature are all related". Anima mundi is the invisible energy behind all the natural and artificial elements that allows the planet to live. Thanks to the hidden connections of anima mundi, all the ecosystems of the Earth, before and after the appearance of mankind, found their equilibrium, their ways to live and develop themselves, to transform and evolve. All the beings of the planet, plants, minerals, and animals are permeated by the secret force that has always stimulated human thought and research. TheArt Fair aimed to discover these multiple forms of hidden connections between the soul and the body, mankind and the natural elements, the natural spaces and the cities. Artists were invited to show their reflections on the various ways in which the anima mundi expresses the relationships among all the existing entities and the natural and cultural systems, and to represent by their artistic works the processes of the evolution of the world in which we all live. Artist, designers, and architects were invited to talk about anima mundi through photo reportage of cities, hidden places, photographic documentaires, personal experiences, presenting their works of photography, painting, sculpture/installation, design and architecture, video art and live performance. |
kohta.fi/exhibition/first-international-festival-of-manuports-open-call-for-artworks/
FIRST INTERNATIONAL FESTIVAL OF MANUPORTS 12 August – 10 October 2021 Concept (excerpt): The oldest known manuport is the so-called Makapansgat pebble, a piece of jasperite that once fit into the palm of one of the oldest relatives of humankind roaming what is now South Africa, where it was discovered in 1925. What makes the pebble so interesting (apart from its clear resemblance to a face and the doubt as to whether its shape has been enhanced) is that it was found four kilometres away from the nearest natural source of jasperite, together with bones of the Australopithecus africanus that are three million years old. Such prehistoric readymades, usually invoking animals or human body parts, seem to indicate that even our earliest ancestors were capable of non-utilitarian cognition, aesthetic appreciation and possibly language, and that image-thinking is almost unimaginably old, certainly predating the earliest surviving cage paintings. |
Architecture, Cities, Utopias: R-Lab 2017Text written with animation.
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